How to get the FILM LOOK – with Shane Hurlbut | Cinecom.net

why is it that so many big production movies are still shot on film it certainly isn’t cheaper nor easier in fact it’s the look a certain look that digital cameras can’t yet create but there’s a solution to give digital cameras the look the film hey guys it’s dirty here for 10 account and…

1917 Is ONE CONTINUOUS SHOT — Roger Deakins Explains How He Did It | Exclusive Interview

– Basically that film is about characters. That’s what this is, really, a film about characters. (calm music) A film like this, you couldn’t have shot it on film. You couldn’t have shot it with traditional film cameras. You just couldn’t. You just physically couldn’t have done it, and you couldn’t have powered them, the…

MY CAMERA TOLD ME A STORY

This video is brought to you by Adorama. The camera doesn’t just capture what ever you point it to. It also tells its own little story. Depending on where you place it, how you move it, which lens you use, it all speaks a different story, a visual story. [Cinecom’s intro music] Hey folks, my…

CINEMATIC TEAL and ORANGE Look: Lighting Tutorial

the teal and orange look is very popular some people believe it’s used too often but come on you have to admit it it looks cool so let’s take a look at several light setups we can create to get that cinematic teal and orange look hey folks Jordy here for cinecom.net where we share…

Help

Hello, Jacob. Figured a young man like you would want a coke. You’re not officer Carlin. Where is he? He’s a little busy right now so I’ll be speaking with you instead for today. Your mother tells me you’re in Robotics Club your school. Smart kid. So tell me, why does a smart kid like…

How to FILM a REALISTIC PUNCH in the Face | Cinecom.net

Yeah, my fist still kind of hurts… …from setting up that camera! Yeah, that looks pretty realistic, well, let me show you guys how that’s done. Today’s episode is sponsored by videoblocks.com where you can download unlimited stock clips, templates, backgrounds, visual effects and more for a one fixed price per year. And, by following…

Tutorial: ZEISS eXtended Data and NUKE

With lenses equipped with ZEISS eXtended Data, the lens shading and distortion in footages can be automatically corrected which enables accurate match-move 3D tracking. In this video you will see the actual XD workflow in Nuke compositing software. ZEISS offers a variety of manuals and plug-ins on their website. This time we will use the…

5 Cinematic LIGHTING HACKS

[Music] Hey folks! Jordy here for cinecom.net and welcome to tippy tricky Tuesday. And in this episode we’ll share five creative lighting setups that you would see in music videos, commercials or feature films. Today’s episode is sponsored by Videoblocks. A huge library of stock footage, templates and more. One the video assets that they…